THE CRITICS. LA RUPE TARPEA.
“An anti-book, an anagram for Labyrinth, a path of words of coloured points
that lead Theseus to transform the Minotaur into a bicycle and then ride him”.
(Tommaso Meio. SAPERE E OLTRE)
“A ray of light which enhances the sense of diagonal reading and the art of going into and out of books”.
(Arcibald Dooster, LO ZOCCOLO DI PEGASO)
“After 1440, impartial time, a painting in which the 1440 minutes of a day were rendered with the same number of coloured points, here is Sergio Bianco’s painting
with a new mysterious number: 1543”.
(Ugo Bartezzi, IL GALLO E L’ARCANO)
“I thank Sergio Bianco who has conceded me
the ergonomic privilege of commenting on his works
with always the same 4 words: Joyce is much easier”.
(Mariangela Ricci, LABORATORIO)
“Sergio Bianco embodies the myth of the enigmatic artisan”.
(Serena Linari, INGEGNI)
“An open book reveals the mystery of the human being,
while a closed books preserves the shame of not displaying the stupidity of it”.
(Amelio Teso, L’ECO DEL SILENZIO)
“It is surprising to discover how, by gazing at point no. 1440,
symbol of the last second of midnight, the figure of a woolly sheep
appears distinctly in the act of jumping over the fence”.
(Gastone Punzigli, CRIPTICARS)
“I quote for example Rubens Rimacchi, the famous expert in fake works of art
who said that imitating one of Sergio Bianco’s paintings is not impossible: it is useless”.
(Eva De Adamis, COPIA COME ABBONDANZA)