[et_pb_section bb_built=”1″ _builder_version=”3.0.95″][et_pb_row][et_pb_column type=”1_3″][et_pb_text _builder_version=”3.0.98″ background_layout=”light”]<\/p>\n
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“An anti-book, an anagram for Labyrinth, a path of words of coloured points
\nthat lead Theseus to transform the Minotaur into a bicycle and then ride him”.
\n(Tommaso Meio. SAPERE E OLTRE)<\/p>\n
“A ray of light which enhances the sense of diagonal reading and the art of going into and out of books”.
\n(Arcibald Dooster, LO ZOCCOLO DI PEGASO)<\/p>\n
“After 1440, impartial time, a painting in which the 1440 minutes of a day were rendered with the same number of coloured points, here is Sergio Bianco’s painting
\nwith a new mysterious number: 1543”.
\n(Ugo Bartezzi, IL GALLO E L’ARCANO)<\/p>\n
“I thank Sergio Bianco who has conceded me
\nthe ergonomic privilege of commenting on his works
\nwith always the same 4 words: Joyce is much easier”.
\n(Mariangela Ricci, LABORATORIO)<\/p>\n
“Sergio Bianco embodies the myth of the enigmatic artisan”.
\n(Serena Linari, INGEGNI)<\/p>\n
“An open book reveals the mystery of the human being,
\nwhile a closed books preserves the shame of not displaying the stupidity of it”.
\n(Amelio Teso, L’ECO DEL SILENZIO)<\/p>\n
“It is surprising to discover how, by gazing at point no. 1440,
\nsymbol of the last second of midnight, the figure of a woolly sheep
\nappears distinctly in the act of jumping over the fence”.
\n(Gastone Punzigli, CRIPTICARS)<\/p>\n
“I quote for example Rubens Rimacchi, the famous expert in fake works of art
\nwho said that imitating one of Sergio Bianco’s paintings is not impossible: it is useless”.
\n(Eva De Adamis, COPIA COME ABBONDANZA)<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″][et_pb_gallery _builder_version=”3.0.98″ posts_number=”2″ show_title_and_caption=”off” show_pagination=”off” gallery_ids=”536″ fullwidth=”on” orientation=”landscape” zoom_icon_color=”#2ea3f2″ hover_overlay_color=”rgba(255,255,255,0.9)” background_layout=”light” pagination_font_size_tablet=”51″ pagination_line_height_tablet=”2″ border_color_all=”#939393″ animation_repeat=”loop” animation_speed_curve=”linear” auto_speed=”3000″ auto=”on” \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section bb_built=”1″ _builder_version=”3.0.95″][et_pb_row][et_pb_column type=”1_3″][et_pb_text _builder_version=”3.0.98″ background_layout=”light”] THE CRITICS. LA RUPE TARPEA. [\/et_pb_text][et_pb_text _builder_version=”3.0.98″ background_layout=”light”] “An anti-book, an anagram for Labyrinth, a path of words of coloured points that lead Theseus to transform the Minotaur into a bicycle and then ride him”. (Tommaso Meio. SAPERE E OLTRE) “A ray of light which enhances the sense of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/pages\/1208"}],"collection":[{"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/comments?post=1208"}],"version-history":[{"count":2,"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/pages\/1208\/revisions"}],"predecessor-version":[{"id":1210,"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/pages\/1208\/revisions\/1210"}],"wp:attachment":[{"href":"https:\/\/www.sergiobianco.com\/en\/wp-json\/wp\/v2\/media?parent=1208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}